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tasty 19 singles
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-Farming
Incident
-Nu
-The
D4
-Millionaire
-British
Sea Power
-Potion
-Electric
Six
-Longview
-Death
in Vegas
-Badly
Drawn Boy
-Valentines
-The
Reverse
-Clearlake |
-Tempertwig
-The
Lucksmiths
-The
Star Spangles
-California
Snowstorm
-Chumbawamba
-The
Eighties Matchbox B- Line Disaster
-Chris
TT
-Acarine
-Scaramanga Six
-Wilt
-Rock Stone
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Farming Incident -
Please Leave the State in the Toilet in Which You Would Wish to Find It
(Wrath Records)
Aahh, they simply
don’t make them like this any more. When indie was indie and were knee high
to a grasshopper every other band was trying to make a sound as viciously
good as this. Most of them failed mind, but that’s hardly the point...
Farming Incident make the sort of
raw racket that can only really be appreciated live, but this wonderfully
titled ep does a mighty good job of capturing that sound. Opener, ‘When Your
Political Ideology...’ is the sound of M\ark E Smith suddenly sober and
actually using his brain again, rather than the WMC Blob he is today, whilst
‘Pinochet Va Payer’ is both intensely political and intense. It’s the best
track here, which may seem like my entreat for more noise slightly
ridiculous because this is almost tender, but hey, who said Farming Incident
couldn’t be cuddly. Closing track, ‘The Equaliser’ is just downright nasty -
over six minutes of brooding, that Mogwai would be proud of.
So, a proper band then, are Farming
Incident. Mixing politics with power, and never flinching. The rough
buggers.
Contact: 0113 2741278 |
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Nu - Disco Hurts (Adventure
Records)
Could it be we live in 1982? What with the still fascinating Ladytron
finally getting the coverage they've so long and craved and deserved, and
all these crappy new wave bands, who have been joined by Nu, a sort of third
rate Blondie. Much of this terribly contrived single reminds me so much of
what used to be on the radio when I was about eight years old. That might be
okay to those who didn't hear it first time round, but really, I don't want
to have put up with living my life twice. Puberty was enough once, thank
you, ladies and gentleman. Anyway.... |
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The D4 - Come On! (Infectious)
Slightly better from the D4. But only slightly. Unfortunately I'm not
the sort of overgrown child to sport three quarter length shirts and a chain
(and is it me or is this the longest fashion craze ever, I mean it's been
going ages), and so I can't fall off my skateboard to the pump 'n thrust of
'Come On'. But those who are, well, it suits them just fine. |
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Millionaire - Champagne (PIAS)
What starts off like something off Joy Division's 'Unknown
Pleasures' quickly descends into a big guitar wankathon. Which reminds me,
in certain depressing places, of ZZ Top. Please fuck off. |
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British Sea Power - Childhood
Memories (Rough Trade)
Thank heavens, then, for tasty favourites, British
Sea Power and their quite lovely new single, 'Childhood Memories'. The song
sees the band let go of the mad branch for a while and come over all
sensitive. Yet, as with every BSP release, there's an edge...which they
never quite jump over. And they use the word 'worser'. Quite what 'Childhood
Memories' is about...apart from...erm, childhood memories is beyond me, and
I don't really care, because this is ace. I think I want to kiss them all. |
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Potion - Circa (Blueorangerecords)
Beautiful lounge pop from the US. Potion, who count among their
number the wonderfully named Michael Diaz de Bedoya, have here, four tracks
of summery joy. Shame it's the middle of bastard winter, because the title
track makes me want to go and order a 99 from the ice cream van, whilst
'Waves' has something of the Ladytron about it (yep, them again), but with
that added jazz/lounge ,languid vocal that Annie Maley seems to have to a
tee. Beautiful stuff.
Contact:
www.potionmusic.com |
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Electric Six - Danger! High Voltage
(XL)
Biiiiiizarrrrrro! Like Arthur Lee jamming with Chic, this single is
D.I.S.C.O kerrazzy! To be honest this scares the fuck out of me. Can you
make them stop now please. I keep having those visions again.... |
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Longview - Nowhere (East West)
Which is precisely where you are now....and precisely where
you'll stay after playing this load of knackers to every bored student in
the country. Away with you, peasants!! |
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Death in Vegas - Scorpio Rising
(Concrete)
Quite why DiV have let that ageing fucker anywhere near their
music is beyond me. His ridiculous drawl totally ruins what could be a
dirty, sleazy rock 'n roll song. What we get is a third rate Oasis b-side.
And first rate ones are bad enough. Can anyone save the singles pages this
issue? |
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Badly Drawn Boy - Born Again
(Twisted Nerve)
I think BDB holds the record for most reviews in tasty, and by
god, I bet he 's chuffed about that. This is another very enjoyable single,
which sees our scruffy hero still in search of some shower gel but also
letting loose a bit more than usual. This sounds more urgent, and a little
bit like late 60s West Coast US psychedelia. A good thing that, and so is
this. |
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Valentine - Memories (Stone Cold
Recordings)
Ooh...dear...no...please. Are Valentine interested in
sounding like something from the New Wave of British Heavy Metal from 1980
or what? This really is piss poor. All minor chord slabs or guitar. Sounds
like Rock City on a very, very bad night. And there's plenty of 'em..... |
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The Reverse - Broken Roads demo
Aahh...that's better. The Reverse make some of the most soothing pop music
don't you know. Not pop music in the traditional tasty sense, but pop music
all the same. The sort of introverted stuff that would've had Echo & The
Bunnymen fans all moist a couple of decades ago, and now pisses all over the
likes of Coldplay and their ilk. 'Broken Roads' is a new song, and relies on
the daintiest of keyboards and a musical backdrop that hardly exists, yet it
seems such a *full* song. I think you really ought to find out about The
Reverse, else there'll be trouble.
Contact Tel: 07771 687359 for more information. |
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Clearlake - Almost the Same (Domino)
Missing in action for some time, Clearlake return with a
storming single. Like a sort of seed prog rock metal beast 'Almost the
Same' fair rattles along and is the tale of unexpected lurrvee. See
elsewhere for an interview with the long haired tykes, but for now let me
tell you that you should own this single else you'll get boils. |
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Tempertwig - Brat-Pack Film
Philosophy demo
And a new demo from the ever impressive Tempertwig too. I like
the fact that although quite young, Tempertwig are incredibly cynical, and
that's the only way to be really isn't it? And so, what we get here are two
tracks of nastiness and exasperation, all in that incredibly attractive
spoken word style of 'singing' and a more poppy Fugazi backdrop. Super
stuff.
More info from Ben on 07752 163048. |
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The Lucksmiths - Midweek Midmorning
(Matinee Records)
Tools you can trust - The Lucksmiths and Matinee Records. This is
so gorgeously melancholy, just so perfect in that way that it evokes a
certain feeling...whether it be wasting hours with a loved one, or that
actual midweek, midmorning feeling you used to get when you'd bunked off
school and there was nothing on the telly apart from...umm...schools
programmes. Add in a little brass to the title track and what you have is a
fragile gem. Skipping on to track three, 'Requiem for the Punters Club' -
which features one of the best opening gambits ever - 'Have you been
drinking, cos it's not too late to start', and we see The Lucksmiths doing
what they do better than anyone else at the moment, namely the torch song.
It even features the most wonderful harmonica solo I've heard since 'Still
Ill'. I love this band dearly, so should you. |
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The Star Spangles
- Which One of the
Two of Us is Gonna Burn This Down (Parlophone)
I mean come on, are people really this stupid? They dress like
the Strokes dressing like Blondie, and they sound so New York 1981 it's
embarrassing. What is the point in all this, and why are record labels
falling over themselves to sign useless bastards like this. Most depressing.
The song? Crapola. |
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California Snow Storm - One Good
Summer ep (Shelflife)
One can look at the sixties on two ways, it seems. On one hand we
have those who'll rape and pillage every type of shitty Beatles riff, and on
the other we have those quiet, less assuming types, such as The Liberty
Ship, and yes, California Snow Storm, who'd rather pay their dues to the
Byrds or Buffalo Springfield. This ep reminds me very much of The Liberty
Ship's wonderful take on the 12 string oeuvre, with opening track 'The Only
One That Matters' rocking in that gentlest of ways, whilst 'Summer Avenues'
ups the tempo only slightly, but similarly precious and features the least
funky bit of wah wah pedal I've heard. Hurrah for that! However, getting
away from their distant influences for a while, 'Out of Time' takes equally
from Belle and Sebastian and The Smiths and, as a centrepiece to an ep, it
pretty much unsurpassable. 'Snow in Summer' is also prime time B&S, but
there's nowt wrong with that, whilst closing track, 'Lovestrange' is barely
there, with Anna Barek's cute yet classy vocals skirting an early Sundays-ish
backdrop. A most gorgeous little ep. |
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Chumbawamba - Jacob's Ladder (Mutt
Records)
Typical Chumbawamba fare really. 'An anti-war single' blasts the
sleeve, which is all very good of course. The problem with the anti-war
movement, is that its message gets lost under all the rhetoric. Against all
war? Surely not? Against a war to rid the world of fascists? Against the
class war? Mmm...well if not, say not. Don't just shout shite slogans.
Anyway, I'm rambling. It's a pretty little single, but I can hardly see it
sparking the insurrection of the masses. Shame. |
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The Eighties Matchbox B Line
Disaster - Psychosis Safari (Island)
Daren't give these lot of scary buggers a bad review, I hear they
eat 29 year old blondes, so, suffice to say that this is probably what hell
sounds like on a good day. I'm sure they'll love me for saying that. Now,
back to the fluffy stuff.... |
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Chris TT -
Eminem is Gay (Snowstorm)
Quite one of the best lyricists around today, Chris TT's new single rounds
on the undercurrent of homophobia coursing through the music industry. On a
par with 'Dreaming of Injured Pop Stars' in terms of being libellous, and
will probably have everyone's favourite dungaree wearer all riled. Still, I'
m sure Chris' beard can see off anything Eminem can throw at him. Superb. |
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Acarine -
Blinder (Star Harbour)
Mad as mouldy cheese, the title track takes a loop from the Minder theme
tune, and replaces the lyric with 'I could be so BAD to youuuuuu', and from
there on in I'm lost. It's all about the modern breed of hooligan
apparently, and, so the press release says, Acarine aren't adverse to a bit
of dodgy dealing themselves. Sounds like Black Grape fronted by Jive Bunny.
Which may sound bad...but.... |
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Rock Stone
- sampler
Rock Stone is Aug Stone. And Aug Stone is quite obviously in love with 80s
indie pop. See, hear that drum machine. Groove to that Another Sunny Day
bass line. And marvel at that voice, a sort of mid-Atlantic Bernard Sumner.
Great tracks? Yes, we have some. 'When U Look Away' reminds me of Brighter
or, more latterly, Lovejoy and is the most delicate of things. It even
features a little Sumner yelp. Meanhwhile, over in broken heartsville, 'Song
for a Girl' is almost Galaxie 500-like in its glacial sheen, or maybe even
Screamadelica-era Primal Scream, and 'She Sobs Softly' makes for equally
introspective listening. Beautiful all round really.
Contact Aug at
aug@lifestyleland.com |
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Wilt - Understand
(Mushroom)
More power chords than you could launch a frog at, 'Understands'
floats along in a very polite REM kind of way. From 'Green' or something.
And that, frankly, is about as much as I can think about writing about this
worrying average single. |
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The
Scaramanga Six - Are You One of the Family? (Wrath Records)
You can hardly say that the Wrath Records roster is run of the mill. Label mates
of Farming Incident, The Scaramanga Six also make a right old racket, and
are as frightening in their own way, but theirs is a much more mainstream
rock beast. 'Are You One of the Family' is a nightmarish tale of escaping
the clutches of your so-called loved ones and disappearing into your own
world. It's very good in a sort of soaring rock song kind of way, with just
enough weirdness thrown in to keep you amused. I would like to find out
more. |
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